搜索"Ji" ,找到 部影视作品

渔夫日记
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Ekah is determined to go to school in a village of fishermen where a girl child's education is considered a taboo. Her drive to break this old adage gets her embroiled with her father, Solomon's past.
电梯男孩
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一名24岁的理工科男孩,暂时先帮父亲代班电梯员工作,在一栋高级住宅大厦,每天帮住户按电梯楼层,琐碎工作让他感到相当厌世,总是敷衍了事,他的表现开始引起住户女孩长辈的注意,让狭小空间的电梯里出现欢乐与幽默,他也从中明白父亲对这份工作的坚深情感,而他也从中获得宝贵的人生体验…
魔鬼的陷阱
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.   The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).   Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.   As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.   Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.   The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.   Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.   The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.   The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
瞒天凶嫌
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一名美国男子在墨西哥失踪時,他的妻子娜塔莉开始寻找他,却导致她被当地的政权和被丈夫背叛的伙伴追捕。 她在丈夫的犯罪秘密生活中变得无奈地內心充满纠结,而她发现在这样一个虛假的世界中,人们的生死在某个阴谋下变得相当危险。娜塔莉充满恐惧和沮丧,且无法相信自己的想法和记忆:到底什么是真实的?
我的甜蜜家园
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這是伊利曼佐1985年的傑作,不僅讓他在近二十年後再度得到奧斯卡的肯定,也讓缺席已久的捷克電影重新擄獲國際影壇的注目。主角是個智能不足的孤兒,平常擔任農場司機的助手,雖然鬧出不少笑話,但兩人情同父子,直到一次重大錯誤,讓司機成為全村笑柄,他一氣之下決定結束兩人合作關係。善良單純的傻子決定告別家園,到布拉格林礦公司另覓新職,他能適應截然不同的都市生活?他能放得下這個古怪卻可愛的小村嗎?曼佐對小鎮活潑多樣的素描,纖細而動人。IMDB评分:8.0
瓦莱莉和她的奇迹一周
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在得到一对耳环后,Valerie遇到了一些奇怪的事情。她的梦幻冒险开始于她将自己想象成一个面目丑陋的主教的女儿,村庄变成了吸血鬼和巫婆的据点。迅速膨胀的性知觉以及更进一步的越轨尝试,使得Valerie必须面对一个挑战并唤醒她的爆炸性的超现实世界。在这部超现实梦幻曲中,梦境与现实的界线是模糊的。
水印街
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/ 文晏/
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《水印街》讲述了一段忧伤的爱情故事,一对年轻人从相识到相爱,被一场突如其来的误会打乱爱情步履,又在迷茫中重新审视彼此,重建信任。该片以独特的视角探讨了在一个高速发展的现代社会里人与人、人与社会的关系。