搜索"恐怖" ，找到 部影视作品
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柏林电影节全景单元。
Jonny Baptiste is a reckless teen sent to live with her estranged Aunt Hildie. On the event of her 18th birthday, she experiences a radical metamorphosis: a family spell that redefines her called Forevering. When several teen girls go missing at her new school, a mythically feral Jonny goes after the Perpetrator.
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When a young girl attends a funeral in an old mortuary, she stumbles upon a secret room full of curiosities where she meets the towering, ominous mortician. He guides her through his collection, sharing four stories of wild, unique, and memorable deaths. Thus begins the narrative skeleton surrounding this delightful, morbid, and clever anthology.
Each of the four stories brings us into a fully realized, impeccably designed period piece, moving chronologically from the 1950s through the 1980s. A ‘50s housewife struggles with a mysterious presence in her bathroom; a ‘60s college boy gets a taste of his own fraternizing medicine; and a ‘70s husband makes some tough decisions about his wife — all culminating in the ‘80s-set The Babysitter Murders (which writer/director Ryan Spindell previously won Best Director at Fantastic Fest for).
With a vibrant variety of tones and timely themes, The Mortuary Collection is a wild ride that showcases a balance of humor, terror, squirm-inducing moments, and the ability to completely pull the rug out from under the audience.
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Millicent is taking a semester off from her studies to concentrate on her thesis about children with severe allergies, which makes her the perfect person to take care of little Johnny, a sickly, mute child who suffers from every allergy under the sun, from nickel to artificial fabric. His overbearing mother, Rebecca, is an accomplished author who is focused on her latest book release, while his dissatisfied father, Jacob, spends sweaty, shirtless days toiling away on a carpentry project in the backyard.
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A fracking horror story, "Unearth" follows two neighboring farm families whose relationships are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth's surface is released. "Unearth" is about the horrifying repercussions sown by shortsighted decisions, and what our children reap from our actions.
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在位于阿帕拉契山脉的乡间小镇地底下，有座已燃烧数十年的废弃煤矿。一支研究小队前往该地试图找出当年矿坑起火燃烧的原因，却意外挖掘出更令人吃惊的恐怖秘密……
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A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
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未来世界，人类社会由四个权力体掌控。三岛统治东方，鲍豪斯统治欧洲，伊比里奥统治非洲，卡比特尔则统治着美洲。此时地球能源几近枯竭，疾病灾祸肆意横行。为了争夺有限的资源，这四个权力体的战争不断，此消彼长。时间来至2707年，在鲍豪斯和卡比特尔正在进行一场血腥残酷的战争，剧烈的爆炸摧毁了一个古老的封印，双方士兵随后面临新的敌人——残忍无度的变异人。原来他们的炮火无意中使冰河时代末期来自外太空的神秘机器重新启动，它可以将人类转化为残忍血腥、丧失人性的变异人，并且有如病毒一般以极快的速度蔓延。地球危在旦夕之时，统治者们抛弃地球独自逃亡。而幸存者们则要找到古老的兄弟会以及他们口中的编年史，继而找出彻底消灭变异人的办法……
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在完全印度文化的背景下，女主安努舒卡·莎玛试过了杀人的公路惊悚片和与鬼魂相关的喜剧片后，在她制片的第三部作品中讲了一个西方恶魔的故事。
从宗教势力的追捕中侥幸逃生的恶魔之女，在母亲的保护下，在山林中活到二十几岁。母亲去世后，女孩走进城市，被善良内向的男人收留。
这是一个异类不惜付出一切渴望融入人类生活，渴望爱情的故事。联想到所有宗教都奉行的五花八门的女性禁忌，联想到女孩的母亲是因为被强迫才怀上了她，不禁感叹:也许所有女人都是主流社会眼中的恶魔。因为爱，女人能拥有摧毁一切的力量;因为爱，女人能放下一切仇恨;因为爱，女人能牺牲一切，包括自己。世界就是被这样的恶魔支撑着的。想尽办法把她们赶尽杀绝的人，和她们自己，谁是真正的恶魔?作为低成本独立制片的恐怖电影，声效化妆场景什么的，都没什么毛病，都在及格线以上。不过如果不像我一样对故事这么煽情，观众应该会觉得故事太单薄，不够刺激。一些观众群体可能会觉得不太舒服。毕竟在这部电影中，心中有爱的恶魔之女不是真的恶魔，那些站在正义一方的驱魔人才是。
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The dead are coming back to life outside the isolated Mi'gMaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.