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2020年初，一场突发的新型冠状病毒肺炎疫情全国蔓延，而在这次疫情中，有一群人他们始终陪伴我们，他们就是广大的“白衣天使”—医护人员，他们在疫情时期，义无反顾用生命守护着大家的安全，用他们的血肉之躯为全国人民筑起第一道“病毒防线”，他们是这次抗疫战役的“英雄”——白衣天使。因此，自4月16日“致敬白衣天使 共同守护家园”在线公益云演唱会活动官宣启动后，引发社会高度关注，也获得计划邀请的嘉宾和歌手积极响应，作为国内第一场以“致敬白衣天使”为主题的大型在线公益云演唱会，该云演唱会已经紧锣密鼓筹备近2个月，活动届时将是以云直播、云录制模式制作，为广大医护人员以及参与这次抗疫的所有医护人员，打造一场专属于他们节日的公益“云演唱会”。
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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.