在一部谋杀亲夫的血腥恐怖电影片场，怪模怪样的导演正在吹毛求疵。他面对镜头，开始给观众展示一个新的故事：新墨西哥州的某小镇附近，一名逃逸者用车祸拖延追索后经人指点入住了一家由教堂改造成的旅馆，这里聚集着几个落寞的住客，旅馆服务员杰瑞琳（Jada Pinkett Smith 饰）对工作好不耐烦。追逐者在车祸现场通过警察的帮助寻至旅馆，他声称名为布雷克的逃逸者偷走了他的钥匙瓶，但被拆穿后马上露出了魔鬼的真面目。原来布雷克是救世主的继承者，凭借钥匙瓶内的圣血，布雷克与众人将魔鬼抵御在旅馆之外，魔鬼和召唤魔们不断用强攻与幻术试图闯入，危急关头，布雷克将救世主的使命传递给杰瑞琳…… 　　本片导演在大银幕和电视上皆有《幽冥怪谈》的系列作品，这部《魔鬼骑士》是先声之作。主角Jada Pinkett Smith后来在《黑客帝国》系列中大出风头。

农历七月，鬼门大开。某座小岛上流传着一个恐怖的传说，当年有一名女子刚好死在午夜23:59，此后她的怨灵不散，盘桓小岛。驻岛军营中，言语粗鲁的Dragon（Lawrence Koh 饰）向战友讲述了这些传说，吓坏了软弱胆小的谭（曾国珲 饰）。原来谭曾声称不久前见过那名女鬼，生怕自己被残忍杀害，可是他的说辞不仅遭到战友的耻笑，连最好的朋友杰里米（许亮宇 饰）也不相信。不久，军队即将举行长途行军，上士Kuah（Mark Lee 饰）笃信神佛，生怕那一天冲撞“好朋友”请求延期，无奈留洋归来的长官拒不采纳。是夜，谭惨死林中，在战士之间引起轩然大波。 　　在此之后，军中灵异事件相继发生……

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. 　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. 　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. 　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. 　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. 　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. 　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. 　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

新兵Tommy平时在军营里老是被欺负，只好靠写网络兵营鬼故事来解闷。他的鬼故事包括六1967年的日军厉鬼以及1983年的蛇精恐怖遭遇！不过，最令人想不到的是，Tommy自己竟然也因撰写鬼故事而遇到心仪的灵异对象……