17岁那年，寄住在蔬菜店的孤儿大介在上学路上搭救了被不良少年骚扰的女孩绪形咲。以此为机缘，两人相识相恋。大介希望毕业后开一家机车维修店，而咲面对这个让她打心底喜欢的青年，也决定跟随对方相伴永远。19岁那年，大介的坚持和诚恳最终打动了咲的父母，两位有情人最终走到一起。拮据的夫妻俩没有体面的婚礼，有的只有相互扶持相守相伴。婚后不久，他们迎来了爱情结晶，大介（中村狮童 饰）的修理店走上正途，担任贤内助的咲（小西真奈美 饰）在微笑中守望着小家的幸福。但生意上的意外，让夫妻的人生发生转变…… 　　本片根据人气搞笑艺人铁拳的漫画改编。

What can we do to fight an invisible enemy like Covid-19? Japanese special-effects wizard Higuchi Shinji thinks we should use our Godzilla toys as magic-conductive tools for this fight, and put an instruction video on YouTube. Iwai Shunji took up the idea and turned it into a 12-part internet series about the way model/actor/director Saitō Takumi (playing himself) passes his solitary-confinement days by raising three tiny monsters, so-called capsule kaijū: Avigan, Remdesivir and Ivermectin. This is something he and Higuchi remembered from their childhood days, from the well-loved special-effects TV series Ultraseven (1967-68), whose hero also grew little helpers. 　　What looks at first like a sweet audio-visual jest with masses of in-jokes and references, reveals itself on closer inspection as an existential show of belief in cinema and television, their shared history as a source of magic, and of remembrance and play as forces of healing.