以色列游泳界冉冉升起的新星埃莱斯，背负着家人的期待，来到位于荒漠的泳训营，与来自各地的选手，角逐代表以色列出征奥运的唯一门票。在那里，他认识了俊俏又充满天分的奈福，两人亦敌亦友，既是竞争关系，又被他深深吸引，淋浴间的赤裸相对，更唤起他隐藏很久的潜在欲望。教练不断警告他：赛事前无友谊。繁忙的练习，加上天人交战的心意，决赛之日即将到来，埃莱斯决定跟随着自己感觉采取行动，他了解，赢得奖牌，或许不如赢得奈福的心。

米雪儿（Noa Kooler 饰）已经32岁了，在原本的计划中，她很快就将和完成了爱情长跑的男朋友幸福的携手步入婚礼的殿堂，之后等待着她的，将会是让人人羡慕的美满生活。然而，一个无心的玩笑竟然让米雪儿的男友在这个节骨眼上选择了离开她。 　　婚礼的场地已经决定了，一切程序按部就班的进行着，可是突然之间，新郎没了，这让米雪儿陷入了焦虑之中。将这一切取消已经不可能了，离仪式举行还有一个月的时间，对于米雪儿来说，解决这一问题的唯一方法，就是在这一个月内找到另一位新郎。在遇见了各种各样不靠谱的男人后，一个名叫约斯（奥兹•泽哈威 Oz Zehavi 饰）的大帅哥出现在了米雪儿的身边。

一段奇妙却又充满禁忌的初恋故事！ 　　描述一名生长在传统犹太教青少女，她的性觉醒与丧偶父亲严谨的宗教信仰之间的冲突与撞击。这也是编导演Tsivia Barkai Yacov的自传性故事。本片是继她的毕业作品VIKA 入围2006 柏林影展Generation Kplus竞赛单元之后，再次受到柏林影展肯定。

影片讲述了一对处在敌对关系之中的父子的故事。父子二人都在耶路撒冷的希伯来大学工作，他们都是犹太法典的专家，而且都是颇有个性和怪癖的怪人。由于在对待荣誉和学术问题上，父子二人分歧过大，所以这两个学者之间产生了早已超越父子关系的抵牾。儿子是一个喜欢追名逐利的当代学者，而他的父亲却是一个非常严肃、非常守旧的古典派的学者。在父亲威严的外表下，他其实也是一个渴望得到认知和认同的人。父子俩的矛盾一直没有公开化和扩大化。但是，当以色列国家奖要颁发的时候——这是以色列国内奖励学者的最高奖项——父子俩的矛盾终于爆发了出来，这是一出令人苦恼而且没有结果的对抗。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. 　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. 　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. 　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. 　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. 　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. 　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. 　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

为了成就孩子的天才，你愿意付出多少代价？钢琴女神艾娜，将音乐视为唯一生命。琴艺精湛的她，来不及蜚声乐坛，就将成为人母。一次演奏会时，艾娜羊水破了，但她坚持弹完才就医，未想孩子出生时竟然失聪！失聪的孩子怎么学琴？艾娜无法接受这般打击。她悄悄来在婴儿室，仔细扫视着每个保温箱，暗暗盘算。不论如何，她绝不让钢琴世家的传奇毁在自己手中！ 《为琴痴狂》织就优美琴音与惊悚悬疑，将一位母亲的疯狂执着刻划入里，爆点接二连三，震撼谱写复杂的人性寓言。